My research is grounded in a single conviction: that form is never neutral. Whether in a letterform, a pedagogical method, or a curated image, the structures we inhabit either open or foreclose our capacity to imagine otherwise. I am interested in the historical and material conditions under which people have used art, design, and creative practice to push back against arbitrary systems of power. not as escape, but as a mode of world-making.

My work asks how visual and material culture participates in the reproduction of dominant structures, and more importantly, how it has been used to interrupt them. At the center of this is a belief in relationality; that meaning, identity, and resistance are never individual achievements but emerge from the connections between people, forms, histories, and ways of knowing.